M Preetham, 22, a hard-core Vijay fan, watched Master first-day-first-show, and loved every moment of it.
Sukanya Verma looks at all the significant bald imagery of Bollywood through the years.
'Rapists do have families. I wanted to see how a father or mother would deal with it.' 'They go through shame as well and get discriminated from the rest of the village.' 'Why don't we show it that way?'
Crime, climate change and cool Oscar winners dominate the OTT menu this week.
Where Shamshad Begum was charging Rs 900 for a song, Lata was prepared to settle for Rs 50 as she came on the scene. Raju Bharatan recalls yet another memorable incident from Lata Mangeshkar's incredible life.
Ayushmann Khurrana is ready to repeat the flirtatious woman deed second time around in Dream Girl 2.
Fascinating new offerings from beloved auteurs as well as a steady supply of remakes and biopics colour the OTT scene this week. Sukanya Verma lists her picks.
'If you listen to the title track of Judgementall Hai Kya, you will find some crazy things happening in it -- from crazy laughter to as if someone is inside your mind.'
The 'been there, seen that' feeling is so strong with Ved that it punctures any possibility of a compelling watch, Mayur Sanap tells us.
Had he not taken his final curtain call on April 23, 1992, Satyajit Ray would still, undoubtedly, have been making movies.
It was a year of so many contradictions and contrasts that it became dangerous to talk about movies, people lost their heads discussing Friday releases, psychiatrists began dabbling in film criticism, and film critics turned into psychiatrists, says Sreehari Nair.
'In him resides a fierce lion of an actor who would have made Stanislavsky proud.' 'With Rocky he started with his body, his hair, his clothes; then his walk, his language, the constant listening to Punjabi hip hop and before long we couldn't differentiate between Ranveer and Rocky.'
These films, even at their saddest, darkest and grossest, retain their sense of humour, their sense of proportion, which again is something you associate with a Malayali.
'Oscar has been given to A R Rahman.' Ringa Ringa Ringa, Choli ki peeche kya hai -- What's the difference? Exactly the same. Also, Jai ho.' 'I did Ramba ho in 1985.' 'Rahman combined three of my songs and got Best Original Score.' 'The Ho came from me.' 'Bappi Lahiri brought the Ho to Bollywood.'
Sukanya Verma applauds the man, the movies and the many, many, MANY memories he's created on big screen through 80 Amitabh Bachchan moments.
Does the "story" of a Mani Ratnam film come first or does its "spirit" asks Sreehari Nair.
'The cross-pollination between the states has always been happening.' 'It's only over the past one or two years that all this talk about South versus Bollywood has been happening.'
'Kishore Kumar lived like a king and knew that he could get away with anything. It's as simple as that.'
Even though each episode is about an hour long, you won't reach even blink: Divya Nair applauds Suzhal: The Vortex.
Dear Friend is for those who idealised Dil Chahta Hai all out of proportion, and then warmed up to the premise that friendship could be a lot more complicated, and transient, observes Sreehari Nair.
'For me, love is being happy.' 'It's being free and carefree.'
Lata Mangeshkar was my introduction, the beginning, the basic, the identity of film music. Sukanya Verma salutes The Legend.
To say Aretha ticked all the boxes when it came to voice technique is like calling Cristiano Ronaldo an efficient footballer, says Kanika Datta.
1997: Sukanya Verma offers a recap of its memorable imagery.
'There are times when I've gone back to my hotel room and cried about what they were doing to my character.' 'They want you to lower your performing ability in accordance with your co-actor.' 'They alter the script, change your character... that's when the real anger sets in.'
Divya Nair makes a list of Tamil films you must watch at least once. The good news is that they're on OTT right now.
Jubilee's irresistible celebration of cinema and all its good, bad, ugly ways lives up to its title, applauds Sukanya Verma.
A half-Indian Chandrika Darbari is creating waves in the international music industry.
The arrival of Novak Djokovic led to incongruous scenes outside the hotel, with members of the Serbian expatriate community draped in the national flag and playing traditional music joining refugee activists in protests.
'All my life, I have made expensive films. This time, I want to make the least expensive film ever made in Bollywood.' 'It's an honest attempt to climb Mount Everest without knowing if I will reach the peak.'
'I grew up in a place that used to be the best city in India: Allahabad.' 'The city has given some of the best writers, politicians and musicians to the country. 'Today, it has gone to the dogs.'
Looking for a place where you can party all night? Here's a global list of destinations that is sure to interest the party lover in you.
'I always thought that if you play a negative character, people will tend to hate you.' 'But the reaction has been amazing, especially after Season 2.'
A bit of economic reforms stalled and decisions delayed -- what Narayana Murthy spoke of -- don't hurt if a country's compassionate and inclusive social fabric has survived intact; if the country is happy, observes Shyam G Menon.
Despite the Oscars, the box office glory, and the universal acclaim, Francis Ford Coppola, I am sure, remembers The Godfather with as much frustration as pride. Like Michael Corleone, he got into it with the best of intentions, and got out of it on top but lost in the heights. Sreehari Nair revisits the film as it turns 50 this month.
Joginder Tuteja looks at Shah Rukh's 10 biggest recent hits.
Salman Khan is so neck deep in his formulaic rut that the only way he knows out is to dole out some more of the bunk. Except now, the swagger has traded places with desperation, notes Sukanya Verma.
To mark World Whiskey Day, a toast to its memorable imagery in Hindi films.
Soorarai Pottru HELD A Ganesh Nadar'S attention till the last frame.
Aditya Chopra may be a household name in India, but few have seen his face, recognise his voice or know the brain behind the business outside his tight inner circle. The Romantics makes sure it has its own to brag about when he, finally, appears before the camera, notes Sukanya Verma.